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(2001 - Present) New Millennium to Present

Computer Technology


As revealed in the previous section, due to significant advancements in computer music software and audio-recording technology during the last few decades, the software has essentially replaced hardware in many aspects of music production.

Before now, musicians needed a machine like the Akai MPC pictured here to create, sample, and sequence certain sounds. Even then, those would have been synthesized sounds, and therefore, only a faint replica of the desired instrument.

Akai MPC

Akai MPC

KEYSCAPE

KEYSCAPE

Software platforms like KEYSCAPE can provide an enormous amount of authentic instrumental sounds, timbre, tone, and more in the current age. All one needs is a laptop, interface, and a MIDI controller to have a full orchestra at hand. Today, even a phone or an iPad has the capability of a full studio equipped to sample, record, produce, and sell a product.

At the start of the century, the fact that Nelly’s “ Body on Me ” reached the top of the charts in the R & B genre is a prime example of the advancements made in music technology by the hip-hop culture.

Nelly “Body on Me” Discover Video Icon

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

The integration of other African American popular music genres can sometimes make it difficult to place a song in a specific category—genres blur. However, the chief aim of hip-hop music identifies “Blackness” as a movement of a people.

As you listen to “Body on Me,” you will discover this song to contain an emcee (00:26–00:47 Discover Video Icon ), a singer (02:34–02:56 Discover Video Icon ), and the rhythmic and melodic flow from the rapper.

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video) [ 00:26-00:48 ]

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video) [ 02:34-02:56 ]

Structurally, and recalling the Ryan Leslie video, the introduction contains a repeated two-bar phrase. In addition, the second measure serves as an embedded motif in the hookAn appealing melodic phrase that drives the message in the song and is often important to a popular song's commercial success. of the piece. A hook can be identified as a phrase that drives the message in the song, much like a chorus that sums up the content of a verse.

Nelly “Body on Me” Two Bar Phrase

Nelly “Body on Me” Two Bar Phrase

The guitar enters at (00:18 Discover Video Icon), and the intro is layered. Notice that the rupture occurs from (00:24-00:27 Discover Video Icon) and builds up to the downbeat of the verse, sung by the emcee. From 00:27-00:33 Discover Video Icon, , the same material from the introduction has become four-bar groupings. Meaning, the idea notated above is repeated, and therefore, creates the standard four-measure phrase structure. At (00:40 Discover Video Icon), we hear the embedded motif on the text, "body on me." Finally, we hear Nelly’s flow (00:49 – 01-21 Discover Video Icon).

We will witness more of this type of integration, among other elements, as we continue to explore Black music in the twenty-first century.

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video) [ 00:24-00:27 ]

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video) [ 00:27-00:33 ]

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video)

Nelly - Body On Me ft. Ashanti, Akon (Official Video) [ 00:49-01:22 ]

Kendrick Lamar "Mortal Man"

As I lead this army, make room for mistakes and depression.

Tupac "Only God Can Judge Me"

Only God can judge me, is that right?
(Only God can judge me now)
(Only God baby)
Nobody else, nobody else
All you other motherf---ers get out my business
(Only God can judge me now)