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Duke Ellington in 1943

Duke Ellington in 1943

In this lesson, we have tried to define jazz. We have examined improvisation, looked closely at what gave jazz that swing feeling, and took a lengthy detour into blues to get a sense of the jazz's bluesy flavor. While many, if not most, jazz historians would say that those are the three most important characteristics of jazz, there are styles of jazz that do not "swing" in the historic sense. Furthermore, some jazz musicians describe certain pieces that lack improvisation as "composed jazz."

Duke Ellington, perhaps the greatest jazz composer of all time, did not like to be classified as a "jazz" composer. He felt it was too limiting of a label. Still, we study him mostly for the jazz that he created, and his jazz pieces remain, even today, his most popular works.

Throughout this course, we will consider again and again the question of what constitutes jazz. By the end of the course, we'll know more about it. It's probably the case, though, that we'll never completely answer it. It's a bit like trying to answer the question, "What is the meaning of life?"

"That's the beauty of music. You can take a theme from a Bach sacred chorale and improvise. It doesn't make any difference where the theme comes from; the treatment of it can be jazz."
-Dave Brubeck
“Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.”
-Wynton Marsalis

"Blues developed in the southern United States after the American Civil War (1861–65) and was largely played by Southern black men, most of whom came from the milieu of agricultural workers."