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Conclusion
In conclusion, and certainly encompassing all sub-genres of the blues, the music emulated the real-life experiences of the secular culture of African Americans. The purpose, as was with much of the musical expression of the oppressed, was not so much to document the struggle as much as it was a way to survive the struggle. The blues were songs written to deal with a difficult reality.
Bo-Weavil Blues
Hey, bo-weavil, don't sing the blues no more
Hey, hey, bo-weavil, don't sing the blues no more
Bo-weavil's here, bo-weavil's everywhere you go
The St. Louis Blues
I got them Saint Louis Blues
just as blue as I can be
He's got a heart like a rock cast in the sea
Or else he wouldn't have gone so far from me