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Renaissance Period (1450–1600)
Listening Bridge: From the Medieval to the Renaissance
Listen to and compare these two pieces, using the following questions as a guide:
- Are the melodies mostly stepwise, or do they contain many skips and leaps?
- Which one has a more recognizable pulse?
- In which piece do the voices more frequently come together to form chords?
- In which piece do the voices sound more independent of one another, rhythmically and melodically?
- What factors do you think make Palestrina's music sound more modern to our ears and Machaut's sound older?
Guillaume de Machaut
Born: c. 1300
Died: 1377
Period: Medieval
Country: France
Born: c. 1300
Died: 1377
Period: Medieval
Country: France
Composer: Guillaume de Machaut
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"Notre Dame Mass: Agnus Dei"
Giovanni Perluigi da Palestrina
Born: 1525
Died: 1594
Period: Renaissance
Country: Italy
Born: 1525
Died: 1594
Period: Renaissance
Country: Italy
Composer: Giovanni Pierluigi da Palestrina
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"Pope Marcellus Mass: Kyrie"
Listening Prelude
Below is an excerpt from a piece composed during the Renaissance period that is frequently heard today. Listen to it, and consider the following questions:
- Is the meter regular and consistent, or does it change?
- Are there clear musical phrases? (Can you tell where one idea ends and another begins?)
- Are certain sections repeated?
- What do you hear at the words "up and down"?
- How does the music change at the words "when he found her"?
Guide
0:00—0:17
Fair Phyllis I saw sitting all alone,
Feeding her flock near to the mountainside
Feeding her flock near to the mountainside
0:17—0:29
The shepherds knew not whither she was gone,
But after her lover Amyntas hied
But after her lover Amyntas hied
0:29—1:49
Up and down he wandered whilst she was missing;
When he found her, Oh then they fell a-kissing
When he found her, Oh then they fell a-kissing
Composer: John Farmer
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"Fair Phyllis" [ 00:00-00:17 ]00:17
Composer: John Farmer
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"Fair Phyllis" [ 00:17-00:29 ]00:12
Composer: John Farmer
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"Fair Phyllis" [ 00:29-01:49 ]01:21