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section_4_contemporary

Learning Objectives

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  • Outline the social, cultural, and political impact of WWI and WWII.
  • Discuss the growth of the United States as a world power.
  • Describe the impact of technological advancements on the development of music in the twentieth century.
  • Describe, compare and contrast the main stylistic differences of Contemporary music styles including impressionism, post-Romanticism, serialism, and expressionism.
  • Summarize the changing nature and application of the concept of tonality throughout the century.
  • Discuss the impact of Claude Debussy's "Prelude to the Afternoon of a Faun" in light of the Symbolist movement in literature.
  • Illustrate how the Russian composer Igor Stravinsky experimented with rhythm, new instrumental combinations, and the percussive use of dissonance, and discuss the impactof these techniques on contemporary music.
  • Describe the impact of Arnold Schoenberg and the Second Viennese School on 20th-century music.
  • Distinguish the main stylistic differences of nineteenth- and twentieth-century composers and styles.
  • Describe the musical and political impact of “national schools” of composition that developed across Europe during the 20th century.
  • Explain the impact of composer Aaron Copland on American contemporary music.
  • Describe the impact of Latin American composers on the larger "art music" scene and repertoire.
  • Define and analyze the main differences between jazz, ragtime, and blues.

The Contemporary Period (1910 - present)

Listening Bridge: Romantic Period to Contemporary Period


Listen to the following excerpts and compare them using the following questions as a guide:

  • What kind of ensemble is performing each piece?
  • Which piece has a melody based on a traditional musical scale?
  • Which piece features more dissonant chords?
  • Which piece features more syncopated rhythms?
  • Which piece features more extremes of loud and soft?
  • Which piece uses traditional instruments in unusual ways?
  • Which piece might have been influenced by American Jazz?
Hector Berlioz

Hector Berlioz

Composer: Hector Berlioz

  • "Symphonie Fantastique, Op. 14: IV. March To The Scaffold"

George Gershwin

George Gershwin

Composer: George Gershwin

  • "Rhapsody in Blue"

Listening Prelude


This is an excerpt from an orchestral piece written during the Contemporary period. Listen to it while considering the following questions:

Igor Stravinsky

Igor Stravinsky

  • Which instrument family provides the dominant timbre?
  • Are pitches organized into singable melodies or as a series of short pitch patterns?
  • Does the piece feature clear tonal centers and strong, clear cadences?
  • Is the accompaniment best described as chords, counter melodies, or masses of sound?
  • Are vertical combinations of sound pleasant and consonant or harsh and dissonant?
  • Is there a consistent pulse and regular meter?
  • Which instrument families provide the strong rhythm near the end of this excerpt

Composer: Igor Stravinsky

  • "Le Sacre Du Printemps (The Rite Of Spring): Part I: The Adoration of the Earth"